De-essers. They’re so cool, but a lot of people aren’t sure exactly when or where or why to use them. Here’s a long overdue video where I explain just that. Enjoy! (And be sure to leave a comment.)
De-essers. They’re so cool, but a lot of people aren’t sure exactly when or where or why to use them. Here’s a long overdue video where I explain just that. Enjoy! (And be sure to leave a comment.)
Last night’s webinar was a lot of fun. For about an hour we talked about Pro Tools and some of the reasons I use it. I’ve got a replay for those of you who weren’t able to make it.
I’m proud to announce my latest tutorial video series. It’s called Understanding Pro Tools, and it features 9 HD videos, totaling over 3 hours of Pro Tools training.
Throughout the nine videos, I walk you through Pro Tools, showing you all the things I think you need to know. If you like the videos I post here on Home Studio Corner (and I’m up to over 50 of them now), then you’ll love Understanding Pro Tools. It’s a more in-depth, hold-nothing-back look at Pro Tools.
The price right now is $39.
I’ve posted the webinar replay on the order page, so head over there now and check it out!!
Here’s a list of my favorite Pro Tools posts here on HSC. Enjoy!
12 Home Studio Necessities #2 – DAW/Recording Software
Why I Use Pro Tools
Ask Joe #4 – Pro Tools Questions
Do I Need Pro Tools Certification?
Mbox2 Pro or 003?
Using the Stock Digi Plug-ins
How to Make Your Hard Drive an Audio Record Volume in Pro Tools
Productivity Part 1 – Label Your I/O
Productivity Part 2 – Using Session Templates
Inserts and Sends in Pro Tools
How to Create a Click Track in Pro Tools
Using the 4 Edit Modes in Pro Tools
Solo Safe in Pro Tools
Pro Tools Track Types Part 1
Pro Tools Track Types Part 2 – The Master Fader
4 Ways to Use Playlists in Pro Tools
Using Groups in Pro Tools (or any DAW)
Inserting Time in Pro Tools
File Management in Pro Tools: Using Save Copy In to Shrink Your Sessions
Using QuickPunch in Pro Tools
Importing Session Data
Printing Effects and Instruments in Pro Tools
Session File Management in Pro Tools
Happy New Year!As we move forward into 2010, everybody’s making new years resolutions. Get ready for the gym to be packed for the next 30 days.
Don’t worry, they’ll give up soon, and things will go back to normal.
What about you and your home studio? What are your plans for 2010?
More importantly, how do you plan to actually achieve those plans?
It’s so easy to have big dreams for your home studio, only to turn around a year later, and you’re still “getting ready” to do those big things you’ve been planning.
Why? Because they’re always such huge, ambitious goals. We say things like “I’m going to lose twenty pounds this year.” That’s admirable and all, but why do we almost never get close to making it happen? Because we fail to specify the steps to achieving that goal.
Rather than “losing twenty pounds,” we’d be better off setting a goal of working out once a week. For most of us, that would still be a change, but it’s not some huge, insurmountable goal.
Okay, this isn’t a weight-loss website. If you’re like me, you’re telling yourself, “I’m going to finish my album this year.” That’s great!
But if that’s all you say, then it’s not going to happen. Trust me, I’ve said it on multiple New Years days.
I’m not saying you shouldn’t aim to finish your album this year, but I’d suggest you put some effort into this goal. Give it legs. Create a game plan for how you’re going to get there.
Here are a few suggestions:
These are geared towards those of us trying to finish an album, but they’re applicable to you regardless of what your 2010 goals are. Like I heard someone say once, a goal isn’t a goal until it has a date.
You should know that I’m nowhere near being a master at this. I’ve been working on an album for a couple years. I haven’t given it the priority it needs. I want to change that in 2010, and I want you to join me.
With that in mind, I’ve written a brand new eBook to give away. It’s entitled Home Studio Production: A Roadmap to Finishing Your Album. It’s a blueprint of the recording process, something to help guide us both through the process, so we can finish some albums in 2010!!
I already sent it out to my newsletter subscribers. To get your own copy, simply sign up to the HSC Newsletter by filling out the form below. You’ll get immediate access to the eBook, and you’ll receive regular tips and promotions from me via email.
[Photo by Bob Jagendorf]
You may remember a video I posted here a week or so ago. It was the one where I was showing you how to import session data…at 5:30 in the morning.
That was with a buddy of mine who drove all the way down from Indiana to record drums at The Walnut House for his upcoming album. We also tracked acoustic guitar and some vocals. I got an email from him yesterday about vocals. He spent the last few days re-recording the vocal tracks in his home studio.
Last week I posted the video Intro to EQ. This week we’re moving right along into the world of compression.
Compression can be a difficult concept to understand. I know because it took me a long time to get a handle on it. Hopefully this video will help clear some things up.
What thoughts to you have on compression? Leave a comment.
Yesterday’s post on things I wish I had known when I recorded my first albums revealed some interest among a few readers for more information on EQ and compression.
I’ve got some bigger plans for the future, but I’m still thinking through how I want to work out all the details. In the meantime, here’s an Intro to EQ video. It’s a longer video, around 16 minutes, but I cover quite a bit of ground. Enjoy!
Want in-depth training on EQ? Check out Understanding EQ.
See Also:
If you’ve been involved with audio for any length of time, there’s a good chance you’ve used a Shure SM58. It’s the workhorse of the live sound world, and it’s not a bad mic. But how does it sound in the studio?
Typically, when you think about recording vocals in a studio, you picture the singer in front of a nice large-diaphragm condenser microphone. Condenser mics are great, but is it ever appropriate to use a dynamic mic to record vocals?