Category Archives: Recording

Why Control Surfaces Aren’t Worth It

Get this.

When I used to sell recording equipment, I can’t tell you how many times a “studio owner” would call me asking about one of the big, $10,000+ control surfaces for Pro Tools.

They would straight up tell me that they just wanted it for the look, that they might not even actually USE it.

(In case you don’t know, a control surface is something that looks like a mixer, has faders and buttons, and is used to control your recording software. It allows you to — among other things — move the faders in your software with your hands rather than a mouse.)

I regularly get questions from people wanting to know which control surface they should buy.

My response? DON’T GET ONE.

Microphone vs EQ

Pop quiz — Which is more important?

Mic placement or EQ?

Recording or mixing?

Boxers or briefs? (Wait a second…)

Got an interesting email from one of my new customers:

Joe, I just recently came across an article from SOS magazine that said, “If the right microphones have been positioned carefully, equalisation is rarely needed…”

He went on to express his concern with this extreme focus on microphone placement. He was worried that perhaps he was doing something wrong during recording if he still needed EQ during mixing.

4 Ways Recording Music is Like a First Date

Have I ever mentioned that I hated dating?

I was lucky to meet my wife as soon as I did, because I just wasn’t cut out for the dating scene, especially first dates.

But guess what? Recording music is surprisingly similar to a first date.

(Especially if you’re just starting out.)

Let me show you how.

#1. You’re constantly second-guessing your every move, paranoid that you’ll ruin everything.

You can be so worried about getting a great-sounding mix that you inevitably become paralyzed. You can’t decide if mix #47 sounds as good as mix #13, so you obsess over it endlessly.

#2. You listen to bad advice.

“If you open the car door for her, and she the unlocks YOUR door while you’re walking around, then you know she’s the One.”

Umm…right.

It’s the same for home studio folks. You take advice from some random dude in a forum rather than using your brain to try things for yourself.

#3. You put way too much pressure on yourself.

News Flash: The first date doesn’t make that big of a difference. You won’t lose your soul mate forever because you weren’t the perfect date.

It’s the same in the studio. Your mixes aren’t ruined forever if they have some imperfections. (In fact, I’d argue that those imperfections are sometimes the best parts of a mix.)

#4. You spend a lot of money, thinking that it will make a difference.

Look, she ain’t gonna marry you just because you dropped 200 bucks on a lobster dinner.

And whatever shiny piece of gear you’re about to buy won’t make your recordings instantly amazing.

It just doesn’t work that way.

If you want to get better results in the studio, you’ve gotta spend time “getting to know” the basics of audio.

That’s why I created Understanding EQ, to debunk a lot of myths and teach you a proven, simple method for getting better-sounding mixes.

Now dry those sweaty palms and click on over to:

www.UnderstandingEQ.com

Joe Gilder
Home Studio Corner

Wrong Side of the Mic, Dummy

It was several years ago.

I was working at Sweetwater, selling music equipment.

One of the perks of the job was that we got to take gear home to try it out in our studios. I had some vocal tracks to record, so I grabbed a Rode mic out of the “gear closet” and took it home.

That weekend, I set up the mic and got warmed up to track vocals for a song I was working on.

Mic check. Level check. Hit record and started sangin’.

It wasn’t until I had sung an entire take that I realized something…well…embarrassing.

I had been singing into the wrong side of the mic.

Doh!

Why do I tell you this silly story? Simple. I don’t want you to be afraid to make a mistake.

You don’t have to have your act together 100% of the time. Mistakes won’t completely ruin your recordings. Clients won’t run away screaming if you make a mistake, even a dumb one.

Heck, you’ll probably learn more and improve faster if you let yourself make a bunch of mistakes.

So, that’s your homework for this weekend. Go make a few mistakes. It won’t kill ya.

If you want to learn how I learned from MY mistakes and how I go about getting vocal recordings I’m tickled pink with, check this out:

www.UnderstandingRecording.com/vocals

Joe Gilder

The Michael Scott School of Recording

I gotta admit, I’m a huge fan of the TV show “The Office.” (More specifically, the first five or six seasons…not such much the latest stuff.)

If you’re not familiar with the show, it essentially centers around an idiot boss named Michael Scott, who is constantly making bad decisions.

In one episode in particular, it’s “Pretzel Day” at the office. This guy shows up once a year with a pretzel cart and gives out free hot pretzels to everyone in the office.

Michael waits in line all morning for his pretzel, and when he finally makes his way to the front of the line, he has to decide what toppings he wants.

The pretzel guy rattles off at least fifteen different options.

Michael shyly replies, “Is there any way I can get…all of them?”

The guy proceeds to give Michael “the works” — more sugar than any human should ingest in one sitting. Needless to say, a sugar rush is soon to follow…and more hilarity.

But what can a bumbling boss on a sugar high teach us about recording?

We all have a tendency, like Michael, to overdo things. We eat too much sugar. We watch too much TV. (Oops, busted.)

When it comes to recording, it’s easy to take a good song and add so much garbage on top that it becomes a big mess.

This is especially easy to do with compression.

Compression is like sugar.

You get a little taste of it, and you fall in love. “This makes everything sound better!!”

So you compress more and more — track after track — until you realize that suddenly your mixes aren’t sounding good anymore. They sound dull and lifeless.

Is more compression the answer?

Negative Ghostrider.

You need to back it down. Show some moderation. Take a simpler approach.

I’m a firm believer that “less is more.”

And it seems to have paid off for me and my mixes.

More here:

www.UnderstandingCompression.com

Joe Gilder
Home Studio Corner

P.S. Have you heard about Dynamic Range Day? Okay. Stop what you’re doing and check it out here:

DynamicRangeDay.co.uk

My buddy Ian Shepherd puts this on every year, and it’s awesome.

You can learn all about WHY dynamic range is important in your mixes (and why too much compression is a bad thing), plus there’s a huge giveaway. Prizes include free copies of two of my videos: Understanding EQ — www.UnderstandingEQ.com — and Understanding Compression — www.UnderstandingCompression.com.

Umm…You Might Be Getting in the Way

I got this email a couple days ago, and it was just too cool not to share with you.

Michael (one of my customers) wrote:

Understanding EQ changed my whole world a few months ago, I have started Understanding Compression this week and the quality of my mixes has taken a giant leap. My friends and clients have been letting me know I’m on the right track.

You know what’s so cool about this email? The thing that fills me with warm fuzzies?

The fact that Michael’s friends and clients are noticing a difference.

Wanna know why that’s cool?

Because friends and clients are usually completely oblivious to the recording process. They don’t care about compressor ratios and EQ curves. They don’t care about muddy-ness or crossfades.

They just know when something sounds GOOD.

They know if they would actually voluntarily listen to in the car on a road trip.

Why? Because the technical stuff (the recording, the mix) isn’t getting in the way. Nobody cares if you used parallel compression on the drums. They just know whether the drums make ‘em wanna dance or not.

Your job is to get out of the way.

If you’re doing your job, the average listener will be able to listen to the MUSIC and not the recording.

Now I’m not one to say my training videos are “world-changing,” but I seem to get a lot of emails like the one above. People are having lots of “ah-ha!” moments. Their recordings are getting better, and they’re having more fun.

To learn how to “get out of the way” with compression, clicky-click here:

www.UnderstandingCompression.com

Liposuction for Your Recordings

I’m not a big fan of exercise.

But I’m also not a big fan of being — how do I put this delicately? — “husky.”

But there’s really no way to lose the chub without putting in the hard work.

I can buy the latest workout routine DVD or book, sign up for a gym membership, create a killer spreadsheet to track my progress, develop the perfect workout plan, buy all the equipment I need…

…but NONE of those things will help me lose a single pound.

Two Words You Should Never Say In the Studio

If I had a nickel for every time someone wrote these two words to me in an email…

These two words are especially popular with people who are just starting out in recording. They’re eager to learn, and I’m certainly on board with their eagerness.

To this day, I still LOVE to learn new recording tricks and techniques.

But these two words, while well-intended, can lead you down a path that’s simply…neither fun nor helpful.

What are the two words you should never say in the studio?