You may have seen that I’m running a special discount this week on my really fun Speed Mixing course. Click here to check it out. I’ve put together some cool bundles, including an option to have me mix one of YOUR songs AND record the whole thing on video for CHEAP. (These offers goes away on Friday, so place your order before then.)
Before you check out Speed Mixing, though, you and I need to have a little chat.
“What’s with the emphasis on speed, Joe?” you might ask.
Speed isn’t everything, but it IS important.
I make music because I want to express myself, connect with others, and have an impact. I can’t do any of those things without finishing and releasing music.
The most common complaint I hear from people is that they don’t have enough time, and they struggle to finish projects they start. If that’s true of you, that you don’t have much time for music, and you struggle to make the best use of that time, then becoming faster at your craft is almost an absolute necessity.
This is a guest post from Björgvin Benediktsson, from Audio-Issues.com:
Are you the type of person that just dives into mixing without taking the time to really think about what the song needs?
Well, stop it.
You’re not doing yourself any favors.
In fact, I would argue that you’re spending more time mixing that way than with the way that I’m about to tell you.
You see, all too often we tend to reach for our plug-ins before we really think of what we’re going to do with them.
It’s like a knee-jerk reflex to slap an 1176 on the kick drum, or add a 5 kHz presence boost to the lead vocal.
You can probably think of more ways that you “automix” every time you pull up a new song in your DAW.
Well, how about I give you a different method that actually helps you get a great mix before you even slap on ANY of your favorite plug-ins.
Here we go: (more…)
Here’s a recording of a training session I did for the folks at Presonus.
It’s all about how I set up a mix using both my DAW (Studio One) and a 24-channel digital mixer (Presonus StudioLive 24.4.2). We had a lot of fun. Enjoy!
(The training starts at around minute 5.)
This week for my final installment of Presonus Live, I continued the mix of “Behold,” focusing specifically on electric guitars.
- The single best (and hardest) way to mix electric guitars
- How to use EQ to balance different parts
- When (and when not) to use compression
- When to not use EQ
- and more…
In this video, I take the song that I started mixing in last week’s 1-Hour Mix video and dive deeper into some more advanced mixing techniques.
Most of the video is focused on mixing drums, several tricks I’ve picked up over the years to get a killer drum mix.
Podcast (hsc-podcast): Play in new window | Download (13.7MB)
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Wanna submit a question for the podcast? Go here: www.askjoegilder.com
Questions covered this week:
- When you reference your mix on your “crap speakers”, are you listening to them with or without some sort of EQ?
- Could you give some pointers/general principles about how to use reverb in a mix?
- What would be some applications for use of a low pass filter?