Tag Archive: parallel compression

How to get a Big Bass Sound

brownsville bassToday I asked my Facebook fans what they wanted me to write about. Luca asked about how to get a big bass sound in the mix, using parallel compression, etc. Great question, Luca.

If you were to keep track of how much time you spend dealing with the low end in a mix, particularly bass and kick drum, verses everything else, I bet you’d be surprised. A huge, punchy, tight bass sound can make or break a mix. Once you’ve got the low frequencies playing nicely together, the rest becomes much easier to put in its place.

But how do you get that big sound, especially out of the bass track?

Ear Training Results: Parallel Compression

Yesterday, I posted a little ear training exercise. Most folks guessed the compression was the main difference between the two clips, but JP nailed it by guessing parallel compression.

You may remember a few articles and videos I posted last summer on parallel processing — Parallel Processing: Bass, Parallel Processing: Drums.

To review, parallel processing is simply processing two copies of the same signal in different ways in order to produce tonal results that would be otherwise impossible with only one copy of the signal.