My family has slowly grown frustrated with trying to buy for me, so they mostly just give me cash or a gift card for Christmas.
Both are definitely worth a read. Lots of great ideas. I’m gonna repeat one or two of them, but I wanted to give you some ideas for AFTER Christmas…now that you’ve got that wad of Christmas money begging to be spent. 🙂
Here are a few FREE ways to add to your studio:
TT Dynamic Range Meter
The folks over at PleasurizeMusic.com have a free plug-in that’s a must-have for anybody with a DAW. It’s called the TT Dynamic Range Meter, and it…you guessed it…measures dynamic range.
Why is this important? Read this article by Ian Shepherd to find out: How to Avoid Over-Compressing Your Mix.
[UPDATE: Some folks are saying that this plug-in costs $30. I’m not seeing that anywhere. Go here to download it. You have to give them your email address, but that’s hardly a big deal.]
31 Days to Better Recordings
If you’re new to HSC, or if you were simply ignoring me during the month of October 2010, you need to check out 31 Days to Better Recordings.
It’s a series of 31 articles, each giving you a specific way to improve your recordings. They’re all free, and you can start reading right away by clicking here.
And now for the stuff you can actually BUY:
8 Ways to Spend that Christmas Cash
Note: these are all UNDER $100, so maybe you can even get more than one!
Most of you know, I’m a big fan of Toontrack’s EZDrummer. It’s simple, and it sounds great, and it’s currently priced at 99 bucks.
Nothing can replace a talented, human drummer playing an amazing drum kit in a great-sounding room. But…sometimes you simply don’t have access to all that awesomeness.
EZDrummer is a fair second choice. If nothing else, it’s nice to be able to pull up a real-sounding drum beat for practicing and songwriting.
AKG D5 Dynamic Mic
In Graham’s article he recommended the Shure SM57. If you need a great all-around dynamic mic for guitar amps (and lots of other things), this is a great option.
However, I’d like to throw the AKG D5 out there. While it’s not the industry standard for guitar amps like the 57, it’s a fantastic dynamic mic. I use it on lead vocals a lot (a surprising amount actually).
Wanna hear it? I actually did a shootout between the D5 and the SM58 (the 57’s brother). Great-sounding mic for $99.
Do you have isolation pads underneath your studio monitors?
If your answer is either “No.” or “What are isolation pads?”, you need to drop what you’re doing and read my review of the Auralex Mopads.
Potentially the best $40 you could spend on your studio.
Auralex DST Panels
Don’t own any acoustic treatment? Hesitant to spend a lot of money? Start small, gets some acoustic foam.
After getting Mopads, my second purchase was a box of Auralex DST foam panels.
Foam panels really only handle the high frequencies in your studio. You’ll need broadband absorbers and bass traps, but why not start small and see if you can hear a difference. I bet you can.
Stereo Mic Bar
Like to record with two microphones? Ever get tired of hassling with two separate mic stands? It gets annoying/awkward, I know.
Try out a stereo mic bar. It lets you mount two microphones to one mic stand. Ah…that’s nice.
One of the worst things in the world? An out-of-tune guitar.
Even if you’re not a guitarist, you’re going to be recording a guitarist at some point, right? Pick up a little headstock tuner (like this one from Planet Waves) and stick it on the guitarist’s headstock.
You can’t trust guitarists to remember their tuner. (I know…I AM one.) Not a bad tool to have in your arsenal.
Zen and the Art of Mixing
I just bought the Kindle edition (affiliate link) a few days ago. I’ve only read about 10 pages so far, and I’m already inspired and intrigued.
Mixerman isn’t like you and me. He’s mixes day in and day out. He’s a pro…and he’s got some seriously valuable things to say. I look forward to diving in deeper.
And finally (you knew this was coming, didn’t you?), if you don’t have any glaring gear needs, might I recommend expanding your recording knowledge?
I’ve got a whole bunch of training products that can help you make better recordings. Go check ’em out. (And if you’re reading this before January 1, 2011, you can cash in on my end-of-the-year special.)
Go forth and make awesome recordings!!
Oh, and if you have any other ideas or comments on the stuff above, leave a comment below!
[Photo by Robert S. Donovan]