Is the Recording Console Dead?

If you follow me on Twitter, you may have known that I spent the weekend in the Chicago area installing an Apogee Symphony System for a client and doing some training. The install went surprisingly well, with no major issues, aside from a missing BNC cable.

If you’re not familiar with the Symphony system, you should check it out. It’s a phenomenal PCI-based system that connects any Apogee converter directly into your DAW (in this case, Logic) with insane audio quality along with virtually no latency.

The system is a dream home studio setup, and it’s all centered around the Symphony system and a Toft ATB24 24-channel recording console. (Pictured above.)

I have to admit, while I don’t use a recording console in my home studio, I grew very attached to the Toft board. It’s a great-sounding console with a ton of routing options. There’s something about running an analog signal through an analog mixer that makes you feel like a┬áreal┬árecording engineer.


Why I Use Pro Tools

protools-leSean over at posted a great article recently called “Why I Use Logic Studio.” The following post is in response to that article, so take a minute to read his article first. (Go ahead…it’s okay.)

What I liked about Sean’s article is that he gave his honest opinions about why he uses Logic. He also makes it very clear that he doesn’t use Logic exclusively. There are some tasks that he prefers to do in Pro Tools.

Having used both programs extensively myself, I feel that Sean paints a very realistic picture.

As you know (and as several readers have pointed out), I’m a pretty big fan of Pro Tools. All the tutorial videos I’ve done so far have been in Pro Tools.

So am I anti-Logic? Not at all! In fact, Logic was my primary DAW (Digital Audio Workstation) for a couple years. I got to know it very well. I even won a songwriting contest with one of the songs I recorded in Logic.